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Uriel Orlow uses diverse artforms to investigate where history, place and memory intersect and resonate in the present, whether in archived documents, the physical body or in geographical locations themselves. Rather than reconstruct history as the past, for which the viewer may feel little or no responsibility, Orlow's work traces history's charge in the present so that the viewer may experience its living continuity. His work asks what are the terms in which experience, either overwhelmingly traumatic, such as the Holocaust or colonial oppression, or learned, as in classical music training, is contained. What are the means by which we classify, categorise and assimilate knowledge, both intellectually and physically? Like points in a stellar constellation, Orlow's work shapes connections between these systems, making what seems untranslatable, both poetic and precise. Cherry Smyth

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Uriel Orlow